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Hitchhiker opens up shop in Sharpsburg

Once Gary Olden and Andy Kwiatkowski found a new home for Hitchhiker Brewing, making the change didn’t take all that long.

It was finding the home that was the tough part.

Olden, the owner, and Kwiatkowski, the head brewer, started looking for a larger space for Hitchhiker since shortly after the Mt. Lebanon brewery opened. The taproom in the original home has served — and will continue to serve — customers well, but the three-barrel brewhouse was stuffed into the basement of the building, forcing the pair to find some creative solutions when it came to storing hops and grains, cleaning and filling kegs … oh, and making beer.

They thought they had a place lined up off East Carson Street in the South Side, but city of Pittsburgh red tape — and what would have been a hefty plumbing bill — meant that space was unsuitable. But the search stretched into a second year before a break came for Hitchhiker; Olden was visiting Sharpsburg to check out another property when he noticed the massive outbuilding that had been the power house for the old Fort Pitt brewery. It turned out that the building was for sale, and by last winter, Olden, Kwiatkowski and a small crew had started work on building a new brewery and tap room.

The brewhouse was done first, and Kwiatkowski brewed his first beer there — an APA called 15th and Canal, for the new brewery’s location in Sharpsburg — in June. The taproom, though, took a bit longer — they put the finishing touches on it just in the last week or two, and opened the doors for a couple test nights this week.

The public space makes an impression right away. The tile work was preserved, as were the beams and skylights that give the room its industrial look. The curved bar is backed by a wall of taps. Twelve of those were pouring Hitchhiker beers when I visited this week; a handful of guest liquids were pouring from the others.

When you visit — the grand opening is scheduled for Saturday, Sept. 9 — get a peek in the brewhouse if that door is open. The massive space makes the 15-barrel system seem small. It also means there is plenty of room to grow if there is need; adding more tanks to the space would be easy, and a canning line would fit nicely as well. A few more additions are already in place: two 1,000-gallon foeders — wood vats that will age sour beers — and a wall of smaller barrels for barrel-aged products.

But here’s the best part: the beer. Kwiatkowski doesn’t hesitate to say that Hitchhiker’s products have improved since he started brewing on the new system earlier this summer. And look for higher ABV beers as well; Kwiatkowski said the old system simply didn’t have enough capacity for the grains he needed to build, for example, a double IPA (spoiler alert: there’s one on the way).

If you’re a fan of the cozy Mt. Lebanon taproom, don’t worry — it’s not going anywhere. But if you live on the other side of Pittsburgh’s rivers, you’re in for a treat. And you don’t even have to hitch a ride to get there.

The time has come for 11th Hour

It’s been a long time coming. But 11th Hour Brewing has finally opened its doors.

Not in the North Hills. And not in a Downtown location near the convention center. Those spots didn’t work out … and they’re part of the reason why it’s taken Matt and Keana McMahon a bit longer than usual to officially get started.

They don’t have to dwell on that now; in fact, there’s no time to think about everything that’s led them to this weekend, when the brewery officially opened up in a Lawrenceville building that started as a schoolhouse for German immigrants and later served as industrial space. There’s a 20-barrel brewhouse behind the bar and a long taproom that looks out over Charlotte Street through a series of garage doors. And there are clocks everywhere; just don’t count on them being correct more than twice a day … you know, at 11.

From the beginning, 11th Hour has been a family affair, and that was evident this week when I stopped in. Keana and her son, assistant brewer Justin Strzelczyk Jr., were cleaning up for a industry-and-friends soft opening that evening, while Dan McMahon, Matt’s father, continued some carpentry work. Matt’s brother Mark also did construction work and was behind the bar during the soft opening, along with Keana’s daughter Sabrina. And Matt’s sister Brie, a public relations professional, has pitched in with promoting the brewery. That’s made the long road a bit easier, Matt said.

Just how long is that road? I had my first taste of his jalapeno IPA, if I recall correctly, on an early cruise of the Commonwealth Press Beer Barge. It seems impossible that 11th Hour could be the city’s newest brewery … because they’ve been at festivals and events for years.

“But this is different,” Matt said, as he took a breather during the soft opening. “We’ve always been welcomed and accepted, but I haven’t really felt like I was fully a part of the community until now, when we finally have a place of our own. We’ve been doing this forever, but now it finally seems real.”


Post-Gazette coverage of 11th Hour Brewing:

 

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Extra: Farewell to the Beerman

A commemorative run of Oskar Blues G’Knight imperial IPA, with a label printed in honor of Tony Knipling.

Even now, days later, it’s a difficult thing to write: Tony Knipling died last week.

To say that Tony was a longtime craft beer rep at Vecenie Distributing Co. in Millvale is accurate. And completely inadequate.

He sold his own brands, sure. But nearly everything he did — from being one of the longest members of the Three Rivers Alliance of Serious Homebrewers to the long-running Craft Beer School series with the Pittsburgh Cultural Trust — helped sell better beer in the broadest sense. He was one of the first people in town to do it and I don’t think there’s any question that he reached more people with that message than anyone else in town.

After calling hours for Tony and his family on Sunday, a bunch of us met at East End’s taproom in the Strip to have a beer or two and talk about what we would remember most about the Beerman. This is easily the longest video I’ve ever posted here, but the memory of Tony Knipling is absolutely worth the time.

Expanding the cans at East End

It wasn’t that long ago that cans were reserved for macro beer — and treated with scorn by those seeking a better beer experience.

That perception continues to change, nationally and locally. Just take a look around here: Grist House can’t keep cans of Fire on the Hill and Hazedelic Juice Grenade in the coolers. At Dancing Gnome, the weekly can releases almost always sell out on Day One.

And at East End, the monthly canning run to keep Big Hop at distributors and on the shelves has turned into an adventure: Which beer will we can next? It’s varied from standbys like Wheat Hop, Bigger Hop or Green Giant, the citra IPA that was canned again this week, to some newcomers that the folks at the brewery decide deserve some special treatment.

This week, that included two new beers: Partly Clahdy, East End’s dank and juicy New England-style IPA, and Seedless Watermelon Gose, a delicious mix of melon-y brightness and the tart salinity of the style. There’s a third new beer in the mix this week — Cherry Stomp, a Berliner Weisse made with sour cherries — but owner Scott Smith said the temptation to can that one as well was tempered by the fact that the guys from Iron Heart Canning, the Cleveland-based mobile canning company that made its monthly visit this week, had four beers to can already.

Mr. Smith said that as is the case at Grist House and Dancing Gnome, East End’s canning runs tend to sell briskly … and that’s good, especially for the beer. Most of the beers canned at the Larimer brewery are hop-forward, and they benefit from being consumed when they are as fresh as possible, and East End helps that cause by not canning too much: “These aren’t beers that we want to have sitting around for a long time — they’re not built for that,” Mr. Smith said. “I’d rather err on the side of not canning enough than canning too much and letting collect dust on the shelves.”

And besides, as Mr. Smith added: They can always brew more.

Redefining the craft

What is craft beer?

For years, that’s been something of a floating target, with the official Brewers Association definition fluctuating as size and ingredient requirements changed. And recently, there are new challenges; as international corporations buy more craft breweries, it’s becoming harder to discern whether a brewery is independently owned or a division of one of the big guys.

Does it make a difference? In terms of quality, probably not. Wicked Weed, the most recent sale of note — the Asheville, N.C., craft beer darling was snapped up by The High End, the crafty division of Anheuser-Busch InBev — probably won’t do anything to change the quality of Wicked Weed’s beer; in fact, given AB-I’s record of investing in the breweries it buys, the beer could conceivably get even better.

But AB-I has another record that might matter even more: It has been fined, repeatedly, across the country for illegal practices that push smaller breweries from the shelves in retailers and from the taps in bars. The latest set of charges against the giant came earlier this year from the Massachusetts Alcoholic Beverages Control Commission, which says AB-I gave away equipment — stuff like branded draft towers and refrigerators — worth a collective $1 million to bars and retailers with the stipulation that the gear would be used only for AB-I products. Those charges, combined with a history of aggressive lobbying in support of taxes and distribution laws that hurt small brewers and even limiting the sale of desirable ingredients — note: AB-I owns those South African hop farms — have left many small brewers and consumer with a case of bitter beer face.

Not long after the buyout of Wicked Weed, the Brewers Association — the trade group representing craft brewers — reacted, creating a seal independent breweries could use on their products to indicate that they are independently owned. The seal definitely got the attention of AB-I; it immediately lined up several of its employees from High End breweries for a video rebuttal.

The organizers of Pittsburgh Craft Beer Week — I speak with Brian Meyer, above, president of the Pittsburgh Craft Beer Alliance, in this week’s show — have followed suit, issuing a statement saying they would apply the Brewers Association standards when determining which breweries can participate in official PCBW events. In short: if you’re an independent craft brewer, you’re in; if you’re owned by one of the big boys, you’re not.

So what should a consumer do? We’re all free to apply whatever criteria we like when we’re making decisions about what we purchase and what we don’t, and there certainly plenty of folks who continue to say “If you like it, drink it,” without regard for ownership. My two cents: Ownership matters, as does the motives of those owners. I will miss drinking Wicked Weed’s beer, once I finish the last couple of pre-buyout bottles I have stashed. But in the meantime, there are plenty of independent craft breweries — including more than I can keep up with right here in our backyard — to keep us from getting too thirsty.